| Element | Detail |
|---|---|
| Film Title | Trials of the Earth |
| Runtime | 40 minutes |
| Genre | Period Drama |
| Rating Target | PG-13 |
| Logline | A young woman's journey of love, survival and strength in the late 1800s Mississippi Delta, where she must overcome floods, fires, wild beasts, and family tragedy while building a new life in a lumber camp. |
| Key Creative Personnel | Name | Status |
|---|---|---|
| Director | Jeremy Clark | Hired |
| Producers | Jeremy Clark, Marshall Mckinney | Hired |
| Cinematographer | Jeremy Clark | Hired |
| Production Designers | Jeremy Clark, Marshall Mckinney | Hired |
| Casting Director | Jeremy Clark, Marshall Mckinney | Hired |
| Editor | Jeremy Clark | Hired |
| Sound Designers | Jeremy Clark, Pierce Martin | (In negotiation w/Pierce) |
| Makeup Artist/Hair Stylist | Jeremy Clark | Hired |
| Visual Effects Supervisor | Jeremy Clark | Hired |
| Production Manager | Amy Clark | Hired |
| Social Media Marketer | Amy Clark | Hired |
| Voiceover | Morgan Freeman | To be hired (he wrote the foreward to the book) |
| Scene Type | Count | Special Requirements* | Notes |
|---|---|---|---|
| Day Scenes | 75 | Period lighting, natural sunlight | Majority of scenes take place during daylight |
| Night Scenes | 15 | Period-appropriate lighting (lanterns, fires) | Limited artificial light sources for period authenticity |
| Interior Scenes | 45 | Period set dressing, practical lighting | Primarily boarding house and camp interiors |
| Exterior Scenes | 45 | Weather effects, natural lighting | Large portion involves river and camp exteriors |
* Note: Since all visual assets will be AI-generated, these are not constraints.
| Character | Actor | Age Range | Special Skills* | Costume Changes | Accent/Dialect | Key Scenes |
|---|---|---|---|---|---|---|
| Mary Hamilton | AI | 17-25, 70 | Cooking, physical labor, horseback riding | 10-12 changes, aging progression | Southern accent | Throughout all acts |
| Frank Hamilton | AI | 30-38 | Horseback riding, manual labor | 8-10 changes | British accent | Acts 1-4 |
| Nina | AI | 6 | None required | 3-4 changes | Child Southern accent | Acts 2-3 |
| Frankie | AI | 3 | None required | 3-4 changes | Child Southern accent | Acts 1-4 |
| Leslie | AI | Infant | None required | 2-3 changes | N/A | Act 1 |
| Mary's Mother | AI | Mid-40s | None required | 3-4 changes | Southern accent | Act 1 |
| Jane | AI | 14 | None required | 3-4 changes | Southern accent | Act 1 |
| Lucy | AI | 15 | None required | 3-4 changes | Southern accent | Act 1 |
| Clay Pickering | AI | 40s | None required | 2-3 changes | Southern aristocrat | Acts 3-4 |
| Mr. Gray | AI | 50s | None required | 4-5 changes | Southern accent | Acts 2-4 |
| Charlie Flynn | AI | 33 | None required | 2-3 changes | Southern accent | Act 1 |
| Sue | AI | 20s | Cooking, domestic work | 2-3 changes | Southern Black dialect of period | Act 1 |
| Jordy | AI | 18 | Cooking, kitchen work | 3-4 changes | Southern accent | Acts 2-4 |
| Burl | AI | 30s | Physical labor, horseback riding | 3-4 changes | Southern Black dialect of period | Acts 2-4 |
| Steamer Captain | AI | 50s | None required | 1 change | Southern accent | Act 1 |
| Elderly Mary | AI | 70 | None required | 2 changes | Aged Southern accent | Epilogue |
| Granddaughter | AI | 20s | None required | 1 change | 1930s Southern accent | Epilogue |
* Note: Since all visual assets will be AI-generated, virtual actors will be taught necessary skills.
| Phase | Duration | Activities | Deliverables |
|---|---|---|---|
| Pre-Production | 10 weeks | - Script finalization - Style development - Historical research - AI pipeline testing - Prompt engineering R&D - Test scene development | - Final script - Style guide - Historical reference library - Proven AI workflows - Base prompt library - Test scenes |
| AI Asset Production | 20 weeks | - Character development - Environment creation - Scene generation - Integrated effects - Iteration and refinement | - Character assets - Environment library - Scene components - Effect sequences - Quality benchmarks |
| Scene Assembly | 14 weeks | - Scene composition - Transition development - Effect integration - Quality control - Iteration cycles | - Assembled scenes - Working transitions - Effect sequences - Review materials |
| Post-Production | 8 weeks | - Final assembly - Color grading - Sound design - Music integration - Final review | - Final cut - Color grade - Sound mix - Completed film |
| Weeks | Focus | Activities | Expected Output |
|---|---|---|---|
| 1-5 | Character Development | - Main character designs - Consistency testing - Expression ranges - Aging progressions | Core character asset library |
| 6-10 | Environment Creation | - Location development - Weather systems - Time period accuracy - Lighting studies | Environment asset library |
| 11-15 | Primary Scene Generation | - Key scene development - Character integration - Environmental effects - Initial sequences | Core scene components |
| 16-20 | Integration & Refinement | - Effect integration - Quality improvements - Consistency checks - Final iterations | Final assets |
| Weeks | Focus | Scenes/Components | Key Challenges | Deliverables |
|---|---|---|---|---|
| 1-3 | Opening Crisis (Act 1, Part A) | - River landing scenes - Steamboat sequences - Dawn atmosphere - Dock arrival | - Water effects - Period steamboat - Morning mist - Emotional performances | - River environment assets - Steamboat models - Character establishment shots |
| 4-6 | Jonesboro Setup (Act 1, Part B) | - Boarding house scenes - Kitchen sequences - Bank confrontation - Town environments | - Period architecture - Interior details - Multiple characters - Town atmosphere | - Building assets - Interior sets - Character interactions |
| 7-9 | Frank's Arrival & Romance (Act 1, Part C) | - First meeting - Dinner service - Mother's counsel - Romantic moments | - Character chemistry - Period social customs - Emotional nuance - Interior lighting | - Character relationship scenes - Domestic environment assets - Emotional beats |
| 10-12 | Delta Journey (Act 2, Part A) | - River crossing - Ferry sequences - Wildlife encounters - Delta wilderness | - Water movement - Period transportation - Natural environments - Wildlife integration | - River crossing assets - Wildlife elements - Delta environments |
| 13-15 | Camp Life (Act 2, Parts B & C) | - Camp establishment - Work sequences - Community scenes - Daily life | - Period work details - Multiple character groups - Camp atmosphere - Activity coordination | - Camp environment assets - Work sequence shots - Community interactions |
| 16-18 | Storm & Crisis (Act 3, Parts A & B) | - Storm approach - Flood preparation - Initial crisis - Weather effects | - Weather systems - Water effects - Dramatic tension - Environmental threats | - Storm effect assets - Crisis sequences - Weather transitions |
| 19-21 | Flood Sequence (Act 3, Part C) | - Major flooding - Holly tree scenes - Nina's tragedy - Rescue attempts | - Complex water effects - Emotional climax - Multiple character drama - Environmental chaos | - Flood effect assets - Dramatic sequences - Emotional moments |
| 22-24 | Resolution (Act 4, Parts A & B) | - Aftermath scenes - Rebuilding sequences - Pickering confrontation - Community recovery | - Post-flood environment - Recovery activity - Character evolution - Emotional resolution | - Recovery scenes - Character resolution - Environmental transition |
| 25-27 | Epilogue & Transitions (Act 4, Parts C & D) | - Time passage - 1936 sequences - Final reflections - Writing scenes | - Period transition - Aging effects - Tone shift - Historical accuracy | - 1936 environment assets - Aged character assets - Final sequences |
| 28-31 | Scene Integration | - Act transitions - Scene flow - Continuity checks - Pacing adjustments | - Smooth transitions - Narrative flow - Style consistency - Quality control | - Connected sequences - Transition effects - Flow adjustments |
| 32-34 | Final Assembly | - Scene refinement - Effect integration - Quality enhancement - Final reviews | - Overall consistency - Effect finalization - Detail enhancement - Final quality checks | - Completed sequences - Final transitions - Ready for post |
| Category | Amount | Status | Notes |
|---|---|---|---|
| Story Rights | $25,000 | FUNDED | Based on Mary Mann Hamilton's autobiography |
| Screenplay | $75,000 | FUNDED | Including revisions |
| Principal 1 | $300,000 | PENDING | Director, Co-Producer, AI Director, Cinematographer, Prompt Engineer, Editor, Sound Designer, Marketing |
| Principal 2 | $200,000 | PENDING | First Assistant Director, Co-Producer, Writer, Marketing |
| Voiceover | $100,000 | PENDING | Morgan Freeman |
| Above-the-Line SUBTOTAL | $600,000 | PENDING | of $700,000 total |
| Department | Estimated Cost | Key Items | |
|---|---|---|---|
| Production Manager | $100,000 | PENDING | Amy Clark (half time) |
| Social Media Marketing Manager | $50,000 | PENDING | Posting throughout production process |
| Sound Design | $15,000 | PENDING | Pierce Martin (musical score, composition, sound effects) |
| Production Interns | $35,000 | PENDING | Production assistants |
| Film Mastering | $10,000 | PENDING | Hed Hi Media (Charleston, SC) |
| Trailer Production | $25,000 | FUNDED | Initial research, design and editing for 2 minute trailer |
| Equipment | $15,000 | PENDING | Desktops for fast rendering/video editing, Hardware (Drives) |
| Subscriptions & Software | $35,000 | PENDING | Runway, Midjourney, Hailuo, Luma, Elleven Labs, Adobe Creative Cloud, Envato, Typography, Dropbox, Monday Board, Figma, Mural, ChatGPT, Rev, Zoom, UserTesting |
| Research Travel | $10,000 | PENDING | Travel to Arkansas, Mississippi for on-site research where Mary Hamilton lived |
| Collaboration Travel | $10,000 | PENDING | Travel back and forth between Charleston & Raleigh for principal creatives |
| Test Screening Research | $5,000 | PENDING | Online Iterative testing of produced content |
| Marketing | $10,000 | PENDING | Film contest entrance fees, Travel to film festivals and speaking engagements |
| Legal | $10,000 | PENDING | Contingency for legal purposes |
| Healthcare Stipend | $50,000 | PENDING | For principal creatives only |
| Below-the-Line SUBTOTAL | $355,000 | PENDING | of $380,000 total |
| Location | Physical Requirements | Time Period | Technical Needs | Permits/Insurance |
|---|---|---|---|---|
| Mississippi River Setting | N/A - AI Generated | 1880s | Water effects, period boats, mist generation | N/A - AI Based Film |
| Jonesboro Boarding House | N/A - AI Generated | 1880s | Period interior/exterior, practical lighting setup | N/A - AI Based Film |
| Timber Camp | N/A - AI Generated | 1880s | Multiple buildings, work areas, camp layout | N/A - AI Based Film |
| Holly Tree Hill | N/A - AI Generated | 1880s | Elevated terrain, large tree, flood effects | N/A - AI Based Film |
| Element | Description | Technical Specs | Notes |
|---|---|---|---|
| Power Requirements | N/A - AI Generated | Period-appropriate lighting simulation | Focus on natural light, fire light, and period lighting sources |
| Water Access | N/A - AI Generated | River, flood, and rain effect systems | Multiple water simulation requirements |
| Environmental Control | N/A - AI Generated | Weather and atmospheric effects | Various seasonal and weather conditions needed |
| Set Access | N/A - AI Generated | Digital environment creation | Multiple period-appropriate settings |
| Category | Requirements | Duration | Notes |
|---|---|---|---|
| AI Image Generation | High-performance computing systems | Full production | For generating period-accurate visuals |
| Rendering Systems | Advanced GPU clusters | Full production | For complex water and weather effects |
| Storage Systems | High-capacity storage arrays | Full production | For raw renders and completed scenes |
| Network Infrastructure | High-speed data networks | Full production | For team collaboration and file transfer |
| Effect Type | Technical Requirements | Software Needs | Notes |
|---|---|---|---|
| Water Effects | Fluid simulation capabilities | Advanced physics engines | River, flood, rain systems |
| Weather Systems | Atmospheric rendering | Environmental engines | Storms, mist, seasonal changes |
| Period Details | Historical reference processing | Style transfer systems | 1880s accuracy in all elements |
| Character Animation | Advanced AI motion systems | Character generation engines | Period-appropriate movement and behavior |
| Position | Role Description | Skills Required | Duration |
|---|---|---|---|
| AI Director | Overall visual direction and style management | AI systems, historical accuracy, visual storytelling | Full production |
| Prompt Engineers | Scene and character generation | AI image generation, historical knowledge | Full production |
| Technical Directors | Effect system management | VFX, environmental systems | Full production |
| Period Consultants | Historical accuracy verification | 1880s expertise, Delta history | Pre-production through principal |
| Position | Role Description | Skills Required | Duration |
|---|---|---|---|
| Story Director | Narrative flow and character development | Storytelling, period drama expertise | Full production |
| Visual Development | Style and look development | Period art, environmental design | Pre-production through principal |
| Historical Researcher | Period accuracy verification | 1880s social/cultural expertise | Pre-production through principal |
| Script Supervisor | Continuity and narrative consistency | Story structure, historical accuracy | Full production |
| Category | Requirements | Implementation | Monitoring |
|---|---|---|---|
| Data Security | Secure storage and transmission | Encrypted systems, secure servers | Regular security audits |
| Asset Protection | Backup and redundancy | Multiple backup locations | Daily verification |
| Access Control | Team permission management | Role-based access systems | Access logs and reviews |
| Version Control | Asset versioning and tracking | Version control software | Change documentation |
| Element | Requirement | Standard | Verification Process |
|---|---|---|---|
| Historical Accuracy | Period-appropriate content | 1880s Delta reference materials | Historical consultant review |
| Cultural Sensitivity | Appropriate representation | Cultural consultation guidelines | Cultural advisor review |
| Rating Compliance | PG-13 target rating | MPAA guidelines | Content review board |
| Accessibility | Inclusive viewing options | Industry accessibility standards | Accessibility consultant review |
| Type | Coverage | Provider | Notes |
|---|---|---|---|
| Errors & Omissions | Standard E&O coverage | TBD | Required for distribution |
| General Liability | N/A - AI Based Film | N/A | Traditional production insurance not required |
| Digital Asset Insurance | Data loss/corruption coverage | TBD | Covers AI-generated assets |
| Cyber Liability | Digital security coverage | TBD | Protects against data breaches |
| Category | Requirements | Status | Notes |
|---|---|---|---|
| Source Material Rights | Mary Mann Hamilton autobiography rights | Secured | Notorized authorization from Hamilton Family Trust legal representative available upon request |
| AI Image Rights | Commercial usage rights for AI-generated content | Secured | All AI tools used allow commecial usage rights |
| Music Rights | Period-appropriate music clearances | Secured | Music will either be traditional (public domain) or custom made |
| Historical References | Factual representation rights | In research | Historical accuracy verification |
| Festival | Category | Submission Date | Requirements |
|---|---|---|---|
| Sundance Film Festival | Short Film | Q3 2025 | World premiere status |
| SXSW | Short Film, Innovation | Q4 2025 | AI innovation focus |
| Cannes International Film Festival | Short Film | Q4 2025 | Period drama focus |
| Tribeca Film Festival | Short Film | Q4 2025 | Historical focus |
| AI Film Festivals | Various | 2025-2026 | AI-generated content focus |
| Platform | Strategy | Timeline | Notes |
|---|---|---|---|
| Festival Run | Primary launch strategy | 6-8 months | Build critical recognition |
| Streaming Platforms | Secondary distribution | Post-festival | Focus on prestige platforms |
| Educational Market | Historical content focus | Year 2 | American History programs |
| Art Installations | AI/Art venue exhibition | Concurrent | Technology showcase |
Core Concept: "Trials of the Earth" serves as both a compelling historical narrative and a landmark demonstration of generative AI's evolution in filmmaking. The marketing strategy focuses on transparency and audience engagement throughout the production process, showcasing the intersection of historical storytelling and cutting-edge technology.
| Platform | Content Strategy | Frequency | Key Objectives |
|---|---|---|---|
| Project Website (trialsoftheearth.com) | - Production progress updates - Historical research insights - AI technology demonstrations - Behind-the-scenes content - Technical deep dives | 3-4 posts per week | - Document AI evolution - Showcase historical accuracy - Build engaged community - Technical education |
| Social Media | - Visual comparisons - Technology updates - Historical facts - Process revelations | Daily | - Broad audience engagement - Technology showcase - Community building |
| Industry Platforms | - Technical articles - Case studies - Workflow demonstrations | Bi-weekly | - Industry credibility - Technical leadership - Innovation showcase |
| Phase | Content | Technology Focus | Marketing Benefits |
|---|---|---|---|
| Short Film (Phase 1) | 40-minute pilot story | Current AI capabilities baseline | Proof of concept, technology showcase |
| Mini-Series Development | 10-part series expansion | Evolving AI capabilities | Longitudinal technology demonstration |
| Comparative Analysis | Scene recreations | New feature implementations | Direct technology evolution showcase |
| Community Engagement | Interactive content | User participation opportunities | Building engaged audience base |
| Benefit Type | Description | Implementation | Metrics |
|---|---|---|---|
| Runway Feature Showcase | Real-world application of new features | Immediate integration and demonstration | Feature adoption rates |
| Product Evolution | Visual documentation of capability growth | Comparative demonstrations | Quality improvement metrics |
| Educational Content | Tutorial and workflow content | Written and video documentation | User engagement stats |
| Community Building | Shared learning and experimentation | Forums and social engagement | Community growth metrics |
| Risk Category | Potential Issues | Mitigation Strategy | Backup Plan |
|---|---|---|---|
| AI System Issues | Processing limitations, quality inconsistencies | Multiple system redundancy | Alternative processing methods, multiple AI tool providers |
| Quality Control | Output variations, style inconsistencies | Strict quality guidelines | Manual enhancement processes, Photoshop |
| Technology Changes | Platform updates, feature deprecation | Version control, feature tracking | Alternative technology paths |
| Data Security | Loss of assets, system breaches | Regular backups, security protocols | Offline storage solutions |
| Stage | Process | Tools | Timeline |
|---|---|---|---|
| Asset Organization | Cataloging and versioning | Asset management system | Ongoing |
| Scene Assembly | Sequential composition | Editing software, AI tools | 6 weeks |
| Visual Enhancement | Style consistency, quality control | AI enhancement tools | 4 weeks |
| Sound Design | Period-appropriate audio | Audio production suite | 3 weeks |
| Deliverable | Format | Specifications | Notes |
|---|---|---|---|
| Master File | 4K Digital Master | HDR, 10-bit color, 24fps | Festival exhibition format |
| Streaming Version | Multiple formats | Platform-specific specs | Optimized for various platforms |
| Marketing Assets | Various | Multiple resolutions | Website and social media use |
| Documentation | Digital package | Production history, technical specs | Complete process documentation |